Reprinted from “Sierra Voices Journal” May 25, 2009
By Don Pelton
On this Memorial Day, I’d like to speak a few words in support of warriors, and in opposition to war.
Despite reaching my formative young adulthood during the anti-war 1960s, and despite my minor experience with something remotely similar to combat – in the National Guard at the Watts riots in August of 1965, and at Berkeley’s People’s Park in May of 1969 – it occurred to me sometime in the early 1990s that I knew almost nothing about the “Good War” that our father’s fought, that left us with a world mostly free.
I studied American history in college, and read good histories such as William Shirer’s The Rise and Fall of the Third Reich, but aside from reading Shirer’s reporting from Berlin in the early years of the war, I had never listened to the voices of those who experienced the frontlines of World War II (and Korea soon after) first-hand.
So I began to read many personal accounts of those wars, and the harrowing reports which haunt me still are – particularly – E.B. Sledge’s With the Old Breed: At Peleliu and Okinawa, Farley Mowat’s And No Birds Sang, and a report I’ll never forget, by U.S. Army historian S.L.A. Marshall in a collection I can no longer locate, about the hand-to-hand combat of an American squad against some Chinese infantry during the Korean War.
This effort to study war by reading first-hand accounts and by viewing documentaries and films on the subject serves as my poor but only possible substitute for the actual experience of combat. Every citizen who understands that some wars are unavoidable and necessary owes this same effort – to understand what combat really is – to those whom he may ask to risk their lives.
E.B. Sledge described the horror on the island of Peleliu in the Pacific, digging in to fight the Japanese, who were holed-up in caves. By the time he arrived on that island there had already been so much close fighting that he could find no place to sink his spade to dig a foxhole where there weren’t chunks of human flesh mixed up like rotting compost in the loose soil. If that isn’t an image of Hell, I don’t know what is.
Farley Mowat described his upbringing in a patriotic Canadian family, and how the old stories of war filled him with a keen desire to find glory in combat, but not necessarily in the infantry (where he ended up). He finally found combat in the campaign to force the Nazis out of Italy. His vivid description of the savagery of war includes the awful poetic detail of his title, “… and no birds sang.”
S.L.A. Marshall told the story of an American squad that attacked a hill held by the Chinese in Korea, and despite heavy losses – with only three surviving the fight – they prevailed, killing all of the enemy. But the hand-to-hand combat with bayonets had so unleashed the blood-lust of the Americans that – with no more enemies to kill – they went on and slaughtered a small herd of horses that the Chinese had corralled there.
The power of this account – and the sadness of it – is in the awful realization that each of us is capable of such blood lust, given the same circumstance.
I take it as axiomatic that in war, all sides always lose some portion of their humanity in the prosecution of the struggle, at least for a time.
It also seems to be axiomatic that those who are least experienced in war are often the most gung-ho to start it, and those who are most experienced – like Eisenhower and Colin Powell – are most reluctant to undertake it lightly.
Then there’s the lethal shallowness of a man who experienced combat, but whose motives for taking us to war – when he became president – may have included personal insecurity. There have been plausible suggestions that George Herbert Walker Bush undertook the invasion of Panama in part to solve the problem of his “wimp image.”
We honor the sacrifice of our soldiers and remember them on days like this not because war is glorious and just, but precisely because – whether just or unjust, whether noble or ignoble — it is always Hell, and they have gone into Hell for our sake.