“These Beings With Soaring Imaginations” (Symphony of Science)
The latest in John Boswell’s beautiful Symphony of Science series:
Joe Paddock: “One’s Ship Comes In”

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006
Joe Paddock is a Minnesota poet and he and I are, as we say in the Midwest, “of an age.” Here is a fine poem about arriving at a stage when there can be great joy in accepting life as it comes to us.
One’s Ship Comes In
I swear
my way now will be
to continue without
plan or hope, to accept
the drift of things, to shift
from endless effort
to joy in, say,
that robin, plunging
into the mossy shallows
of my bird bath and
splashing madly till
the air shines with spray.
Joy it will be, say,
in Nancy, pretty in pink
and rumpled T-shirt,
rubbing sleep from her eyes, or
joy even in
just this breathing, free
of fright and clutch, knowing
how one’s ship comes in
with each such breath.

Thanks for the Drawing, Kiddo!
While cleaning house today, I ran across this faded and yellowed drawing that our then three year-old daughter made for me many decades ago.
I had it scotch-taped to my various office walls for most of my working life, first in the Computer Center at the Stanford Linear Accelerator Center (SLAC) for twenty years, then in Networking on the Stanford campus for another ten years.
I kept this little drawing taped to the wall because it always cheered me up to look at it.
Nothing bad can happen in a world where smiling children walk in the air a few feet above a field of flowers.
It still cheers me up.
Maybe she still subconsciously draws on this image today while using art therapy with her clients?
It could be a touchstone for the healed psyche.

Ordinary Miracle: Baby Robin Hatching
We’re all born hungry!
Spiritual Medicine: “Joy As a Moral Obligation”
I heard this great quote by Andre Gide in the wee hours this morning, while listening to a lecture by Buddhist psychologist Tara Brach:
“Know that joy is rarer, more difficult, and more beautiful than sadness. Once you make this all-important discovery, you must embrace joy as a moral obligation.”
Handspring Puppet Company: The genius behind “War Horse” (TED Talk Video)
Have you ever noticed how sometimes, when you encounter a human work of extraordinary artistry or skill, you have an emotional response, a gentle wave of sweetness, gratitude or perhaps even a mixture of joy and melancholy?
Could we call this the “aesthetic response?”
There’s something about it that’s fundamental. I’m not saying I understand it. I just notice it whenever it comes unbidden like a blessing.
I had that rare response again today when I got about 12 minutes into this unbelievable TED Talk (first video below) by Adrian Kohler and Basil Jones of the Handspring Puppet Company.
What happened at 12 minutes? Well, they brought in their life-sized puppet of a horse, the star of the National Theatre of London’s play, War Horse, first produced in 2007.
Our local theater, Sierra Cinemas, receives regular satellite broadcasts of National Theatre Live productions. It would be wonderful if War Horse could be broadcast here. For that to happen, it would somehow have to get on the National Theatre Live schedule.
More about War Horse:
Why Did the Universe Create the Human Brain?
Here’s the latest music video (“Ode to the Brain!”) in John Boswell’s wonderful Symphony of Science series. I was at first repulsed by this one, since it has many images of the meaty brain exposed outside its skullcage. But then, in a quiet moment, I watched it again and again.
You have to work a little bit to see the beauty in the human brain, this wonderful and strange product of over 13 billion years of Cosmic evolution. That’s where the depth of its beauty lies: Our brains — we ourselves — are completely embedded in both Cosmic space and Cosmic time, inseparable from the scale of these dimensions.
We could not have appeared much sooner in time, because it required those billions of years of galactic, stellar and planetary evolution to prepare the nest for life on Earth, as well as for our birth as a species.
And our appearance in space? It’s beginning to look as though we might have appeared in any of a million places in the universe. And if by “we,” we mean “intelligent life,” then most likely … we have!
After you watch this video, it’s worth asking, “What use is the brain?
Does our use of it match the consummate beauty and honed perfection of it as an instrument of intelligence?
Free Hugs (Abbracci Gratis)
Thanks to Heidi on Facebook for the pointer to this bit of medicine:
Joyce Sutphen: “The Aunts”

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006
I love poems that celebrate families, and here’s a fine one by Joyce Sutphen of Minnesota, a poet who has written dozens of poems I’d like to publish in this column if there only were weeks enough for all of them.
The Aunts
I like it when they get together
and talk in voices that sound
like apple trees and grape vines,
and some of them wear hats
and go to Arizona in the winter,
and they all like to play cards.
They will always be the ones
who say “It is time to go now,”
even as we linger at the door,
or stand by the waiting cars, they
remember someone—an uncle we
never knew—and sigh, all
of them together, like wind
in the oak trees behind the farm
where they grew up—a place
I remember—especially
the hen house and the soft
clucking that filled the sunlit yard.

Connie Wanek: “Mysterious Neighbors”

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006
Connie Wanek is one of my favorite poets. She lives in Duluth and has a keen eye for what goes on around her. Here’s a locked and loaded scene from rural America.
Mysterious Neighbors
Country people rise early
as their distant lights testify.
They don’t hold water in common. Each house
has a personal source, like a bank account,
a stone vault. Some share eggs,
some share expertise,
and some won’t even wave.
A walk for the mail elevates the heart rate.
Last November I saw a woman down the road
walk out to her mailbox dressed in blaze orange
cap to boot, a cautious soul.
Bullets can’t read her No Trespassing sign.
Strange to think they’re in the air
like lead bees with a fatal sting.
Our neighbor across the road sits in his kitchen
with his rifle handy and the window open.
You never know when. Once
he shot a trophy with his barrel resting on the sill.
He’s in his seventies, born here, joined the Navy,
came back. Hard work never hurt a man
until suddenly he was another broken tool.
His silhouette against the dawn
droops as though drought-stricken, each step
deliberate, down the driveway to his black mailbox,
prying it open. Checking a trap.


